Luke Vibert aka Wagon Christ (Warp / Planet Mu / Hypercolor, UK)
Friday, August 24 2018 @ El Cid (Los Angeles)
Friday, August 24th
Decibel Festival and People of Rhythm proudly present…
LUKE VIBERT (Warp / Planet Mu / Hypercolor – UK)
A whimsical producer behind stylistically varied releases under several names — including, most prominently, Wagon Christ, Plug, Kerrier District, and Amen Andrews — Luke Vibert also released many pieces of work under his own name. The native of Redruth, Cornwall, England got into performing through a punk band, and then with a rap group. He became interested in producing hip-hop and electronic music during the late ’80s. In 1993, he collaborated with Jeremy Simmonds for Weirs, an album of occasionally harsh IDM/neo-electro released on Rephlex, credited to Vibert/Simmonds. After he gained some notice as Wagon Christ, the first proper Luke Vibert album, a set of instrumental hip-hop titled Big Soup, followed for Mo’ Wax in 1997.
Vibert’s activity during the 2000s, including releases through retro-futuristic post-disco outlet Kerrier District, played out like a series of diversions rather than as a linear, predictable run of releases. Much of the output released under his birth name, however, incorporated acid — the liquid wriggles pioneered by Chicago house act Phuture’s overdriven Roland TB-303 basslines. Stop the Panic (Astralwerks, 2000) was a collaboration with pedal steel guitarist B.J. Cole. Vibert selected two volumes of library music, Nuggets: Luke Vibert’s Selection (2001) and Luke Vibert’s Further Nuggets (2002), for the Lo label. The compilations seemingly informed the synthesis of ’70s avant electronics, electro, and acid heard on YosepH (Warp, 2003).
Lover’s Acid (Planet Mu, 2005) applied acid to mostly downtempo productions; one of its track titles, “Analord,” was used by Cornwall pal Richard James for an extensive series of like-minded AFX EPs. Chicago, Detroit, Redruth (Planet Mu, 2007) wasn’t a total break from the previous release but roamed from alien ambient soundscapes to Edwin Birdsong-sampling acid-rap fusions. For Moog Acid (Lo, 2007), he teamed with French musique concrète figure Jean-Jacques Perry. Rhythm (Soundofspeed, 2008) anthologized a series of sample-heavy instrumental hip-hop EPs. Vibert closed out the decade with the diverse and typically humor-laced We Hear You (Planet Mu, 2009).
Luke Vibert’s Nuggets, Vol. 3 During the early 2010s, Vibert kept Wagon Christ active and revived drum’n’bass alias Plug for a collection of previously unreleased material. A third Nuggets compilation was released on Lo in 2013. Armed once more with the TB-303, he recorded Ridmik. Credited to Luke Vibert, it was released on the Hypercolour label in 2014. The following year saw the release of the mischievous Vibert album Bizarster and Kerrier District 4 (his first full-length under that name in nine years). Two contributions to the I Love Acid series preceded Luke Vibert Presents UK Garave, Vol. 1, an homage to the heydays of U.K. garage and rave that arrived in 2017.
with support from
Music begins at 10pm / 21+
El Cid on Sunset
4212 W Sunset Blvd, Los Angeles
- The future of Decibel Festival
- End of year note and 2015 recap from Decibel Founder/Curator
- 2015 Decibel Festival Media Coverage
- Decibel Founder/Curator – Best Albums of 2015
- dB2015 : Thank You!
- Public Service Announcement: Decibel Is a Safe Space
- dB DJ Lounge at W Seattle
- RBMA Radio Celebrates 10 Year Anniversary with Live Broadcast from Decibel